KWANZA
OSAJYEFO
kwahn-zuh • oh-SAH-je-foh















Hey there. You're here to hire me.
Keep reading.
Most people working with brands treat storytelling, strategy, and systems like they're separate.
The problem is they aren't — that's what I fix.
I build narrative systems across content, culture, and technology, work that's spanned Penguin Random House, P&G, Aperol, FanDuel, Hellmann's, Mattel, and DC Entertainment. The throughline is clearer than the client list: the mediums change, the method doesn't.
My approach enabled me to launch DC's first webcomics platform, rebuild the strategic foundation of a Penguin Random House imprint, and create BLACK, a comic universe optioned by Netflix that started with a single question most of the industry was oblivious to.
Born, raised, and still in New York City, where I spend an unreasonable amount of time thinking about writing, publishing, and user experience design — like whether or not this bio is one sentence too long.




KWANZAOSAJYEFO
kwahn-zuh • oh-SAH-je-foh















Hey there. You're here to hire me.
Keep reading.
Most people working with brands treat storytelling, strategy, and systems like they're separate.
The problem is they aren't — that's what I fix.
I build narrative systems across content, culture, and technology, work that's spanned Penguin Random House, P&G, Aperol, FanDuel, Hellmann's, Mattel, and DC Entertainment. The throughline is clearer than the client list: the mediums change, the method doesn't.
My approach enabled me to launch DC's first webcomics platform, rebuild the strategic foundation of a Penguin Random House imprint, and create BLACK, a comic universe optioned by Netflix that started with a single question most of the industry was oblivious to.
Born, raised, and still in New York City, where I spend an unreasonable amount of time thinking about writing, publishing, and user experience design — like whether or not this bio is one sentence too long.




KWANZAOSAJYEFO
kwahn-zuh • oh-SAH-je-foh






Hey there. You're here to hire me.
Keep reading.
Most people working with brands treat storytelling, strategy, and systems like they're separate.
The problem is they aren't — that's what I fix.
I build narrative systems across content, culture, and technology, work that's spanned Penguin Random House, P&G, Aperol, FanDuel, Hellmann's, Mattel, and DC Entertainment.
The throughline is clearer than the client list: the mediums change, the method doesn't.
My approach enabled me to launch DC's first webcomics platform, rebuild the strategic foundation of a Penguin Random House imprint, and create BLACK, a comic universe optioned by Netflix that started with a single question most of the industry was oblivious to.
Born, raised, and still in New York City, where I spend an unreasonable amount of time thinking about writing, publishing, and user experience design, like whether or not this bio is one sentence too long.



