KWANZA
OSAJYEFO
kwahn-zuh • oh-SAH-je-foh















Hey there.
You’re either here to learn more about me, stalk me, or, hopefully hire me.
If it’s the last one, please continue.
My career sits at the intersection of storytelling, strategy, technology, and the recurring professional challenge of explaining why those are not separate things.
I build narrative systems for brands, publishers, platforms, campaigns, and original IP. Some of that work has involved P&G, Aperol, Rogaine, Hellmann’s, FanDuel, Mattel, Verizon, many and other CPG, health, and communications brands with legal departments large enough to make me type these words carefully.
Parallel to the above, I founded DC Entertainment’s first webcomics platform; rebuilt the strategic foundation of a Penguin Random House imprint; and created BLACK, a comic universe that started on Kickstarter and is optioned by Netflix.
Prior to whatever version of me you are encountering now, I’ve done time at Marvel, eMarketer, 360i, Weber Shandwick, MWW, and M Booth.
I’m from and live in New York, where I spend an unreasonable amount of time thinking about writing, culture, and user experience design, like whether or not this bio is one sentence too long.




KWANZAOSAJYEFO
kwahn-zuh • oh-SAH-je-foh















Hey there.
You’re either here to learn more about me, stalk me, or, hopefully hire me.
If it’s the last one, please continue.
My career sits at the intersection of storytelling, strategy, technology, and the recurring professional challenge of explaining why those are not separate things.
I build narrative systems for brands, publishers, platforms, campaigns, and original IP. Some of that work has involved P&G, Aperol, Rogaine, Hellmann’s, FanDuel, Mattel, Verizon, many and other CPG, health, and communications brands with legal departments large enough to make me type these words carefully.
Parallel to the above, I founded DC Entertainment’s first webcomics platform; rebuilt the strategic foundation of a Penguin Random House imprint; and created BLACK, a comic universe that started on Kickstarter and is optioned by Netflix.
Prior to whatever version of me you are encountering now, I’ve done time at Marvel, eMarketer, 360i, Weber Shandwick, MWW, and M Booth.
I’m from and live in New York, where I spend an unreasonable amount of time thinking about writing, culture, and user experience design, like whether or not this bio is one sentence too long.




KWANZAOSAJYEFO
kwahn-zuh • oh-SAH-je-foh






Hey there.
You’re either here to learn more about me, stalk me, or, hopefully hire me.
If it’s the last one, please continue.
My career sits at the intersection of storytelling, strategy, technology, and the recurring professional challenge of explaining why those are not separate things.
I build narrative systems for brands, publishers, platforms, campaigns, and original IP. Some of that work has involved P&G, Aperol, Rogaine, Hellmann’s, FanDuel, Mattel, Verizon, many and other CPG, health, and communications brands with legal departments large enough to make me type these words carefully.
Parallel to the above, I founded DC Entertainment’s first webcomics platform; rebuilt the strategic foundation of a Penguin Random House imprint; and created BLACK, a comic universe that started on Kickstarter and is optioned by Netflix.
Prior to whatever version of me you are encountering now, I’ve done time at Marvel, eMarketer, 360i, Weber Shandwick, MWW, and M Booth.
I’m from and live in New York, where I spend an unreasonable amount of time thinking about writing, culture, and user experience design, like whether or not this bio is one sentence too long.



